The Discordia series contains both autobiographical and fictional narratives to explore relationships. The images are points of departure that symbolise both the passing of time and the illusory nature of intimacy. They imply tensions by both concealing and revealing their intent. The series is on going and is linked to a musical exploration of the same themes.
The Myrkur series photographed in the Northern most reaches of Europe explores notions of the Sublime as discussed within the 18th Century writings of Edmund Burke
‘The passion caused by the great and sublime in nature, when those causes operate most powerfully, is astonishment: and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror.’
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